Monday, 13 June 2011
steampunk strawberry
Friday, 10 June 2011
A Clockwork tale of Red Riding Hood (Part the first)
My name is Rowan but most people call me Red. I live in a village in the heart of the forest. There is no silence here, the forest is filled with clanking and ticking of steam driven machinery cutting down trees. Vibrations shake the earth beneath my feet as the miners drill deeper and deeper under the ground, searching out new veins of precious metal. The sound of metal against metal fills the air near the blacksmith’s forge, ribbons of black smoke curl as they rise from the rooftops.
Today is my eighteenth birthday. Mother says I shall leave now to visit Grandmother in the Cottage. Mother has been up all night sewing me a hooded cloak, the colour of ripe red berries, the colour of my left eye. The one the villagers say is cursed and evil. Mother says it’s nonsense, that it means I will always see the truth of things. I have always been the finder of things, keys, coins, cogs and jewellery. Mother says I could find a diamond in a snow storm or weed out all the lies the peddlers spout and find the truth hidden in pretty words.
Today I leave the forest forever. I leave Mother, our small house and head to the city like my father did before I was born. I have been chosen to go to Grandmother as Father was before me, as so many were. Mother refuses to talk about it, she will only say that those chosen go to serve Grandmother in the Cottage and never return. She fears the truth I will see no matter how honeyed the lies she might speak.
Mother refused to walk with me to the platform. I stand with three other villagers, two girls and a boy, each of us carrying a basket filled with gifts for Grandmother, shiny copper and brass springs and cogs with decorative scrollwork, some with tiny chips of precious gems, and golden threads. I grip my cloak tightly around me the basket heavy over my arms. Leaning against my boots is a worn leather satchel, filled with what few belongings I own. The train whistles before pulling to a stop at the platform, plums of steam bubble around the black engine as the breaks sigh.
A man leaps out from the train a book and pen in his hands. Brass goggles obscure his eyes, he is smartly dressed in a navy uniform with highly polished scrollwork and gears decorating his chest. His left hand is mechanical, a clockwork construction of brass. I tilt my head to catch the faint sound of gears turning as the man examines the clockwork pendants each of us wear. The pendants are the sign of the chosen grandchildren. I am forbidden to tinker with mine though it lies warm against my skin and makes my teeth itch.
to be continued....
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Ok that's the first half, I have another paragraph written and extensive notes for the rest of the story I just need a harpy on my back to get me writing again.
Friday, 1 April 2011
Malice in Valentine City
Malice posing with camera and skeleton key
Malice lives on the edge of Valentine City in a crumbling castle with whispering ghosts. She cries in the rain and laughs in the snow. Malice carries the tarnished key to her heart pinned to her dress. Her heart lies buried in a wooden box beneath the castle.
Once she fell in love and her heart was broken, dashed to pieces and she no longer lives in the bubbling metropolis of Valentine City filled with lovers, cherubs, flower garlands, frothy lace, heart shaped chocolate boxes, and Valentine’s cards. She roams the edge of the city in search of heartbreakers to destroy. To toy with their hearts as her heart was shattered into sharp edged pieces. She paints sorrow on candy hearts, and embroiders broken hearts onto rose petals.
Wednesday, 30 March 2011
Miss Gertrude the Gatekeeper
Miss Gertrude Grey is the Gatekeeper of Greymere Cemetery. Her father the venerable Professor Gideon Grey died leaving poor Gertrude with only the crumbling house filled with books and the skeleton key to the cemetery gates.
Each night she listens to the gears of her father’s collection of clocks waiting for them to toll the hours of the night. After midnight when the fog is thick in the empty streets she ventures out to the Greymere. She stalks the night voluminous skirts whispering against gravestones. From her pocket she withdraws a map of the cemetery each mausoleum and crypt carefully drawn. She follows a winding path, skirts brushing against headstones and crypts until she stood before the stature of a long forgotten lady.
Gertrude removed the skeleton key from around her neck and slipped the key into the intricately carved base of the stature. The key turned and Gertrude listened to gears grinding and turning before a small door slid back. She stepped through into the darkness and down a creaking spiralling stairs deep below the cemetery grounds. At the bottom of the stairs gas lamps flicker to life and Gertrude enters what was once her father’s laboratory. It is filled with rusting hulks of machinery, broken gears and levers, books, and dusty glass bottles filled with strange items and coloured liquids.
Everywhere are scattered notes and drawings in her father’s precise handwriting, piled high on the work bench, pinned up on the wall. Gertrude reaches out to brush her fingers against her father’s notes and the tools gathering dust upon his desk. A ghostly smile crosses her face as she picks up a small heart shaped machine from his desk turning it over and over in her hands looking at it through a golden filigree magnifying glass. She picks up a pair of delicate tweezers and sets to work adjusting the tiny cogs and springs within the apparatus.
Miss Gertrude locks the gates at night of ancient Greymere Cemetery, but when the hours dwindle she spends her nights in her father's secret lab building the machines he never finished and creating new clockwork curiosities.